What makes comedy films




















Instead, the movie relies on its easily quotable one-liners, such as "Give me Hamm on five, hold the Mayo. Good comedic films can range from the light-hearted dramas to the absurd.

While comedies can gain material from serious life situations, most end happily and resolve any conflicts that arise throughout the film. Leaving on a positive note resolves all issues and helps to satisfy the audience's desire for a "feel good" movie. Leah Williams has written for many newspapers, magazines, blogs and websites, including the "Mt. Vernon Register-News" and "Nightlife.

Williams likes to write about parenting, arts and entertainment, education and features. By: Leah Williams Updated September 15, Comedies are light-hearted dramas, crafted to amuse, entertain, and provoke enjoyment. The comedy genre humorously exaggerates the situation, the language, action, and characters. Comedies observe the deficiencies, foibles, and frustrations of life, providing merriment and a momentary escape from day-to-day life. They usually have happy endings, although the humor may have a serious or pessimistic side.

Comedies usually come in two general formats: comedian-led with well-timed gags, jokes, or sketches and situation-comedies that are told within a narrative.

Comedy hybrids commonly exist with other major genres, such as musical-comedy, horror-comedy, and comedy-thriller. There are also many different kinds, types, or forms of comedy, including:. Slapstick was predominant in the earliest silent films, since they didn't need sound to be effective, and they were popular with non-English speaking audiences in metropolitan areas.

The term slapstick was taken from the wooden sticks that clowns slapped together to promote audience applause. This is primitive and universal comedy with broad, aggressive, physical, and visual action, including harmless or painless cruelty and violence, horseplay, and often vulgar sight gags e.

Slapstick often required exquisite timing and well-honed performance skills. Slapstick evolved and was reborn in the screwball comedies of the s and s see further below.

Hulot's Holiday , Fr. T he Blake Edwards series of Pink Panther films with Peter Sellers as bumbling Inspector Clouseau especially in the second film of the series, A Shot in the Dark with Herbert Lom as Clouseau's slow-burning boss and Burt Kwouk as his valet and martial arts judo-specialist are also great examples.

Cartoons are the quintessential form of slapstick, i. Coyote, and others. This form of comedy was best exemplified by the expression-less face of stoic comic hero Buster Keaton. This was classically typified by the cruel verbal wit of W. Well, look at how it's shot and framed. At a distance, allowing for some of the weirdness and absurdity of it all to play out.

Well, that is kind of what happens here. Well instead of hearing the police-woman yelling at him, the criminal keeps going about his gross business. And it's also a little challenging for him. He needs a piece of wood to get a foot with a sock on it into the wood chipper. Those odd details make it feel human. And silly. He hears her and he stares dumbfounded. In case he doesn't understand, she gestures to the badge on her hat. Then he clumsily tosses the piece of wood at her, and runs.

Schadenfreude is the German word for taking pleasure in other people's pain. One of my favorite iterations of cringe comedy is The Office. How fun is it to watch as Michael puts his foot in his mouth again and again?

The cringe comedy also comes from something called dramatic irony. This is just where you might know what is going on with the character while they try to hide it. It's also germane to situational comedy which is where we get the idea of the sitcom.

The scene is a play on the old sitcom trope of the boss coming over for dinner, and all things go haywire. We know what Skinner is trying to project, and we watch it breaking down as he fails. Deadpan humor often delivers us some of the funniest lines. Since this is more a style than anything else, think about Ron Swanson on Parks and Rec or even the movie Airplane! All the lines are delivered with sincerity but all of them are funny.

Leslie Nielsen wasn't a comedic talent. At least, not for most of his life. He was an actor who starred in dramas. So were many in the Airplane! Just that by using actors who played every moment "straight" the silliness of what was happening in the script or onscreen was immediately contrasted by them.

And hilarious. The idea of deadpan also comes from the concept of a 'straight man' in a comedic duo. Go farther back to teams like Abbot and Costello, who started on the stage as a vaudeville act like so many great comedic talents. Lou Costello provided the over-the-top silliness. Bud Abbot was the 'straight man'. This is core to most comedy. Because contrast and context are critical. Plus ultimately they'll just get fatigued.

What are your favorite comedies ever? I bet if you look back you'll note that your favorite moments had some variance, some grounding, and probably a straight man or woman. Nothing like a little mockumentary to poke fun at the seriousness of most documentaries. Maybe the all-time great mockumentary is This is Spinal Tap.



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