You can't hide that, the camera will pick it up. I was genuinely out of my depth. The whole thing was "How can I do this?
I didn't have a single drink when I did it, for three months. Friday night, nothing! I'd never been so focused in my life! I couldn't get the job done otherwise. I was working hour days. When I came back I just slept. I was just constantly at work.
A lot of the Enterprise stuff was shot three months prior to me coming out. So they'd already shot half the movie before I turned up. So it was like walk in, straight in, out the frying pan, into the fire, get on with it.
I don't feel very manly. I don't feel rugged and strong and capable in real life, not how I imagine a man ought to be. So I seek it, to mimic it and maybe understand it, or maybe to draw it into my own reality. People who are scary, they terrify me, but I can imitate them.
I'm not a fighter. I'm a petite little bourgeois boy from London. I don't fight, I mimic. So the argument of Ivan being a good guy or bad guy, in the same way, he's not perfect, well fucking welcome to the human race. The question is, how do you unfuck it, to the best of your ability, when inevitably it's not going to be the best of nights?
So there's no point of affecting that with embellishments, it's shit. And it's purely subjective. For me, I know that's the best I can do. I'm a bit of a micromanager. In the early days, directors and producers would get nervous about me being in the video village.
But to me it really is a tool, just a fucking tool. I need to make sure that my tone is working, that's not about vanity, it's about is it working?
I'm not saving lives, mate, but a surgeon would look at footage and the video of other people doing surgery, or a formula one racer would watch a lap where someone took a corner, or a boxer would watch another boxer fight, I'd watch a screen and say, "Okay, that's bullshit, we've got to work on that. I can't describe it any other way, apart from there is so many layers to it. The car is a containment in some way, Locke is contained in his emotions.
And each individual phone call, there are four walls to each relationship, which collapse or don't. So it was quite a mathematical performance. I'm not really a road dog. I'm a bit of a homeboy. But the reality is, I love what I fucking do. I love to do things I hadn't done before. Just treat people how you wish to be treated. Whether I'm married or not married, people will find out. But it's also not something I'm going to offer.
These films reminded me of a lot of the acting style of the '70s, very manly and energetic. It is a very similar energy to the French and South African productions. I like the passion for living that Brazil has, it is in Capoeira, on dance and in the people. By the way, I love Capoeira, but I'm terrible at it. Everybody wanted to be like him - not me, because that's just the way I am and when people tell me they're going to do something, I'm like "Nah, I'll do the other.
He was a special student in the third year, and then he left and I didn't see him again until we did Band of Brothers I remember when we were there, he was doing the play "The Silver Tassie", a character who lost his legs in World War I, and he was spending a lot of time in a wheelchair. We only had half an hour for lunch and Michael would spend forever getting through the line in his wheelchair, so we'd all be like "Come on, Michael!
Just order your food, man! It was always in the cards for him. I'm not surprised about him at all, because he was awesome. Me, I don't know how I got here! I feel like I just came from delivering pizza and I got lucky. I'd love to do something like that one day if it came up.
I don't think Brian [Helgeland] saw me playing both characters, and wanted to cast two different actors. But he really wanted me to play Reggie and I really wanted to play Ronnie, so we had a dinner and it culminated in, "If you give me Reggie, I'll give you Ronnie. It boils down to split screens, a bit of face replacement. You don't want to let the team down, and you want to create drama. We don't want it to be all about trying to hide a gimmick - "Oh, there's Tom there The hardest thing was creating that alchemy so that it didn't affect anyone else's work.
That's not really me. I love acting. There was Bane, Warrior, Bronson, and now the Krays. I'm just surprised to be working, mate. Whatever gets me through the door. It's really important. And poor Cecil paid the price, ultimately. It's fascinating that it takes something like that to illuminate the subject. With ongoing anti-poaching and animal trafficking as well, it's so rife. There is so much going on in that world. And it's difficult to practice what one preaches, because I struggle with the concept of vegetarianism and veganism being the right step forward as well.
The killing of animals is symptomatic of something else. There are millions of chickens killed a day, so what's the difference between a wild, exotic, beautiful animal, and an animal we've been made to eat?
I'm struggling in my head about sentient beings and the merciless killing of animals when we don't really need to at all. How do you effect change and understanding in people in the killing of animals full stop? I'm struggling with that in my head because I eat meat. And he became my friend, but at first I was a massive fan. And my friend wrote that play, Brett C. I was a young actor and had just gotten out of rehab, funnily enough, and I didn't think I would act again.
I was in a really shit state. Doing that play, I met Brett C. Leonard, who introduced me to Phil, and I went in and met him for The Long Red Road, and we workshopped that for three years, and I got to know him well. He's my friend. This sounds silly, but I wanted to impress him, because he was just brilliant.
And he fought for me to work in the theater because he got me my equity card on Broadway, and in Chicago. It was just beautiful to see him in his element directing. He worked in so many films and television drama series over the years that films and drama series are the real sources of his income.
He also spent much of his time in theatres during the early years of his career although he is still doing but not that frequently. Tom Hardy is an extraordinary and excellent English actor, who through his work, made a name in Hollywood industry. He won many awards during the span of his career and shut the mouth of his critics repeatedly. Despite his bad habits of drug abuse and alcoholism, he is now truly a famous star of the film industry.
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Forgot your password? Get help. Wealthy Persons. The revelation is no surprise, given that Hardy has won hearts all over the world as one of Britain's most talented and versatile actors, and one of Hollywood's leading men.
His mum Anne is a painter and artist, while his dad Edward "Chips" Hardy is a novelist and comedy writer. But acting was always his passion, and he had to leave drama school early after landing a role in award-winning mini-series Band of Brothers as US Army Private John Janovec in Tom Hardy stands 5ft 9ins And he showed shades of Bond back in , when he went charging after a moped thief in Richmond.
The actor was said to have gone into 'superhero mode' — vaulting walls and trampling over people's gardens — as he chased the criminal, who'd crashed the stolen moped. The hunky actor has developed something of a reputation for playing the bad guy, due to some of the roles he has taken on over the years.
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